RESEARCH

  • Roundtables Report I: What Do You Do?

    A partnership between Aisha Alabbar Gallery, Engage101 and Bayt AlMamzar, Roundtables is a discussion series between practitioners in the UAE’s arts ecosystem. 

    The aim of the series is to produce analytical documentation of key issues in the form of reports available as an open resource and to define the ecosystem by the voices within it. 

    Artist, Curator, Writer, Student, Gallerist were some of the titles the participating individuals ascribed to themselves on this roundtable, they discussed what titles meant to them and some of the issues the UAE arts ecosystem faces due to the structural hierarchy titles exist within.

    Download Report

  • Identity, mobility and visibility of collections in the Gulf by Khalid Abdulla

    Here Khalid Abdulla looks at the contemporary social role of collections in the Gulf. He analyzes how collections become modes for addressing and building identity, through the construct of art as a soft power. Abdulla highlights how and why “the object” is important when understanding historical constructs whilst enunciating that a collection becomes a direct reflection of the importance of its holder.

  • The role of nostalgia in contemporary art practice in the UAE by Aliyah Alawadhi

    Aliyah Alawadi looks at the thematic role of nostalgia in contemporary art practice in the United Arab Emirates from the lens of various highlighted artists. Alawadi contemplates the tension and responsibility of documenting the emotional changes through nostalgia in an attempt to dissect social changes in conjunction with the rapid changes the country has gone through. Through nostalgia she suggests an anthropological mapping of community, and culture in the act of romanticizing the past. 

  • Khaleeji Museology - Identity and Practice by Noora S. Al Balushi

    Noora Al Balushi unpacks the political identity composed around the term ‘Khaleeji’, deconstructing the cultural understanding of this word through the lens of popular music and contemporary art. Here she challenges perception and stereotypes through the proposal of a transformative cultural and political identity.
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