RESEARCH

  • Place, Process and postcolonial feminism of Sadu by Zuhoor AlSayegh

    Zuhoor Al Sayegh discusses ‘Sadu’ weaving as a way to reroute feminism from a western stand point to a regional one. She assesses the technical aspects of Sadu weaving, the importance of mobility and the institutional role in safeguarding craft while drawing on de-colonial and post-colonial feminist theory.

  • Intellectual Decolonization in Emirati Art: A Process of Learning and Unlearning by Aisha Al Ahmadi

    Aisha AlAhmadi attempts to deconstruct subconsciously internalized and inherited colonial ideologies through reclamation of identity pegged in contemporary art. AlAhmadi canonizes three female artists from the United Arab Emirates, Ebtisam Abdulaziz, Dr. Najat Maki, and Nujoom Al Ghanem to explore language, culture, and perceptions of a post-colonial self.
  • Identity, mobility and visibility of collections in the Gulf by Khalid Abdulla

    Here Khalid Abdulla looks at the contemporary social role of collections in the Gulf. He analyzes how collections become modes for addressing and building identity, through the construct of art as a soft power. Abdulla highlights how and why “the object” is important when understanding historical constructs whilst enunciating that a collection becomes a direct reflection of the importance of its holder.
  • The role of nostalgia in contemporary art practice in the UAE by Aliyah Alawadhi

    Aliyah Alawadi looks at the thematic role of nostalgia in contemporary art practice in the United Arab Emirates from the lens of various highlighted artists. Alawadi contemplates the tension and responsibility of documenting the emotional changes through nostalgia in an attempt to dissect social changes in conjunction with the rapid changes the country has gone through. Through nostalgia she suggests an anthropological mapping of community, and culture in the act of romanticizing the past. 
  • Khaleeji Museology - Identity and Practice by Noora S. Al Balushi

    Noora Al Balushi unpacks the political identity composed around the term ‘Khaleeji’, deconstructing the cultural understanding of this word through the lens of popular music and contemporary art. Here she challenges perception and stereotypes through the proposal of a transformative cultural and political identity.
  • 101’s Reading List

    In 101’s Reading List we share links to essays, articles, blogs and other material that has been collected and discussed between the members of the 101 team. Our aim here is to highlight readings that further investigate the role of the arts locally, and regionally as well as issues that are critical in their progression